My mother, Deanna, is the first one to step out of the lead vehicle. She doesn’t just get out of a car; she makes an entrance as if she is stepping onto a stage. She emerges wearing a billowing silk caftan and a sun hat wide enough to shade a small garden.

She is already waving her hand in a commanding gesture before both of her feet have even hit the ground. Even with my windows rolled up, I can practically hear the rhythm of her voice and the sharp edge of her instructions.

“Hurry up with those coolers, Patrick! We don’t have all day to stand in the sun!” she shouts toward my father. Her bracelets clink together as she points at the front steps and the luggage, acting like a general overseeing a vital military operation.

She looks like a woman who firmly believes she has just secured a new kingdom for herself. The most perfect part of this scene is that she is using the posture of a queen on property she does not own. She is standing on land for a booking she never actually made, while the real owner sits thirty yards away in total silence.